“以色列” 共找到 “1515” 个相关影视
TheVoiceofAhmad
I Am Ahmad, a 1966 13 min. revelatory short, was originally censored before its stormy release. In the film, a nave Arab manual laborer from the periphery of pre-1967 Israel tries again and again – and is repeatedly refused – to rent an apartment in Jewish and liberal Tel Aviv.
Fifty years later, top Arab and Jewish alumni of the Jerusalem Sam Spiegel Film School conduct a poi...
以色列博物馆
The Museum is a film that observes, examines and ponders Israel's most important cultural institution, the Israel Museum. The film follows the visitors, observes the observers, listens to the speakers and descends to the storerooms, labs and conference rooms. The American museum director, the singing security guard, the Jerusalemite curator, the Haredi kashrut inspector, the Pa...
佐哈尔的归来
Decades after leaving the entertainment world to become an ultra-Orthodox Rabi, Uri Zohar, one of the founders of Israeli cinema, is once again directing a film. With the help of a group of young film school graduates, Zohar directs a film about a successful dancer discovering her faith who, much like Uri Zohar's own personal story, finds herself torn between two opposing world...
悲喜剧大师赛伊克·奥菲尔
SHAI K. is the untold story of Shaike Ophir, one of the greatest Israeli actors of all time. Known as the "Israeli Charlie Chaplin", Ophir worked with the legendary Alfred Hitchcock and Marcel Marceau, and became a mega star in Israel. Yet very few really knew the man behind the thousand faces. SHAI K. is the tale of a tragicomic clown, a man who wanted more than anything to ma...
No.17
In June 2002, a bus on its way to Tiberius from Tel Aviv was bombed.
17 people were killed, 16 were identified. No. 17 wasn’t.
He was buried a few weeks later as ‘John Doe’.
The police stopped searching, believing that he must have been a foreign work immigrant.
This is where the filmmakers step in, documenting in real time over a period of six months the search for the identit...
Jerusalems:Lesyndromeborderline
This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a psychiatric syndrome, officially recognised in the 19th century, and ...
