“格鲁吉亚语” 共找到 “531” 个相关影视
斯文尼希亚的运盐
Sol Svanetij (Salt for Svanetia) was made in 1929 about a remote Ukraine primitive Northern isolated area of the Ukraine where the people are poor, preyed upon and severely lack salt (animals lick blood, urine to find the precious commodity). Religion is one of the people's curses ... they donate their few coins to the Church that doesn't do much to relieve the populace sufferi...
格鲁吉亚老歌
Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed over from generation to generation, what Otar Iosseliani captures in reality is the snapshot of a not-so-distant past that coexists with the world we might know yet transports us to what used to be.
格鲁吉亚商人
塔姆塔·加布里奇兹(Tamta Gabrichidze)的纪录片《交易员》(The Trader)获得圣丹斯电影节大奖
电影制作人塔姆塔·加布里奇兹(Tamta Gabrichidze)的纪录片《交易员》(the Trader)在周二的圣丹斯电影节(Sundance F ilm Festival)上获得了短片评委会大奖。
这位年轻导演的短片从上周开始在圣丹斯放映了三次。本月早些时候，这部短片被电影平台Netflix选择在全球发行。
这是圣丹斯短片奖获奖影片之一，电影节将持续到周日。
这名商人也叫索夫达加里(Sovdagari)，他跟随主角吉拉(Gela)穿越格鲁吉亚的乡村，从他的面包车后座上卖二手衣服和日常用品。
吉拉在乡村和城镇做生意，那里的主要交易货币是土豆，而不是钱。
老老少少都盯着他的卡车，看到海绵和毛刷等现代化的便利设施，他们的眼睛都亮了起...
日落眩光
An ambitious journalist and a talented director work together here to capture the singular character of a small town in Georgia in an alternative way. In her reports, the journalist slides from the minor and insignificant to the major and momentous with an ease that seems superficial; trailing her, the director manages to spotlight the lightness inside things of importance and ...
格鲁吉亚合唱艺术
A documentary about the mysterious yet fascinating story of Georgian traditional folk chants and their protectors. As if they were dealing with the very Holy Grail, many unknown figures devoted their lives to maintain and share their folklore while enduring oppression first by the Tsarist era and then by the Bolsheviks. Two centuries have passed and it seems history finally has...
我是牛，我是马，我是男人，我是女人
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.
帕拉杰诺夫最后的春天
Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pome...
